Marie Magdalene made his film debut in the film The Little Napoleon, where he played a minor role (1923). In 1923, she met her future husband, Rudolf Sieber, on the set of Tragedy of Love. Maria Elisabeth Sieber, her only child, was born on December 13, 1924. Throughout the 1920s, Dietrich worked on stage and in films in Berlin and Vienna.
On stage, she played minor roles in Frank Wedekind’s Pandora’s Box William Shakespeare’s The Taming of the Shrew and A Midsummer Night’s Dream, and George Bernard Shaw’s Back to Methusela and Misalliance. However, she garnered the most attention in musicals and revues such as Broadway, Es Liegt in der Luft, and Zwei Krawatten. By the late 1920s, Dietrich had landed significant film roles, including roles in Café Elektric (1927),
I Kiss Your Hand, Madame (1928), and The Ship of Lost Souls (1929). (1929). Von Sternberg’s Professional Relationship Dietrich in her breakthrough performance in The Blue Angel (1930) In Shanghai Express, Josef von Sternberg used butterfly lighting to enhance Dietrich’s features (1932). This inspired the cover of Queen’s album Queen II, which was later incorporated into the music video for their single Bohemian Rhapsody. In the UFA production of The Blue Angel (1930), shot at Babelsberg film studios, Dietrich landed her breakthrough role as Lola Lola, a cabaret singer who causes the downfall of a previously respectable schoolmaster played by Emil Jannings.
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Josef von Sternberg directed the film and later claimed to have “discovered” Dietrich. Dietrich’s signature song “Falling in Love Again,” which she recorded for Electrola, was featured in the film. In the 1930s, she recorded for Polydor and Decca Records. On the strength of The Blue Angel’s international success, and with encouragement and promotion from Josef von Sternberg, who was well-established in Hollywood, Dietrich relocated to the United States in 1930, under contract to Paramount Pictures, The Blue Angel’s U.S. film distributor. Dietrich was marketed as a German answer to Greta Garbo, the Swedish-born star of Metro-Goldwyn-Mayer. Sternberg lavished her with gifts, among them a green Rolls-Royce Phantom II.
The car later appeared in their first film in the United States, Morocco. Between 1930 and 1935, Dietrich appeared in six films directed by von Sternberg for Paramount. Von Sternberg and Dietrich collaborated effectively to create the image of a glamorous and mysterious femme fatale. He encouraged her to lose weight and intensively coached her as an actress. She willingly followed his sometimes imperious direction in a way that several other performers did not.
Dietrich was cast as a cabaret singer again in Morocco (1930) with Gary Cooper. The film is best remembered for a scene in which she performs a song while dressed in a man’s white tie and kisses another woman, both of which were considered provocative at the time. Dietrich received her only Academy Award nomination for the film. Morocco was followed by Dishonored (1931), a major success starring Dietrich as a Mata Hari-like spy. Shanghai Express (1932), starring Anna May Wong and dubbed “Grand Hotel on Wheels” by critics, was von Sternberg and Dietrich’s biggest box office success, becoming the highest-grossing film of 1932.
Dietrich and von Sternberg worked together again on the romance Blonde Venus (1932), this time with Cary Grant. For the first time in three years, Dietrich worked without von Sternberg in the romantic drama Song of Songs (1933), playing a naive German peasant under the direction of Rouben Mamoulian. Dietrich and Sternberg’s most stylized collaborations, The Scarlet Empress (1934) with John Davis Lodge and The Devil Is a Woman (1935), were their lowest-grossing films.
Fan Mail Address:
United States
Autograph Address Information:
United States
Marlene Dietrich Phone Number, Email Address, Mailing Address, Fanmail Address, and Biography
House Address: New York City, U.S.
Phone Number: Not Available
Email Id: Not Available
Office Address: Not Available
Fax Number: Not Available
Telephone Number: Not Available
Booking Agent Number: Not Available
Manager/Secretary Number: Not Available
Website: Not Available
Social Media Contact Accounts of Popular Star Marlene Dietrich :
Social Media profiles of stars are literally the best way to make use of sending online messages over the internet. Send a message with the help of social profiles Direct message option to his addresses listed below:
- Instagram Profile: https://www.instagram.com/marlenedietrichgram/?hl=en
- Twitter ID: https://twitter.com/markdbeautytlh
- YouTube Address: https://www.youtube.com/watch?v=7heXZPl2hik
- TikTok Id: NA
About (Marlene Dietrich – Biography)
Venus (both 1932), The Scarlet Empress (1934), and The Devil Is a Woman (1935), as well as Desire (1936) and Destry Rides Again (1937). (1939). She was one of the highest-paid actresses of the era, thanks to her glamorous persona and “exotic” looks. Throughout WWII, she was a well-known entertainer in the United States. Although she appeared in a number of postwar films, including Alfred Hitchcock’s Stage Fright (1950), Billy Wilder’s Witness for the Prosecution (1957), Orson Welles’ Touch of Evil (1958), and
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| https://www.instagram.com/marlenedietrichgram/?hl=en | |
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| https://twitter.com/markdbeautytlh | |
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Dietrich later stated that The Devil Is a Woman was her most beautiful film. Von Sternberg is well-known for his exceptional ability to light and photograph Dietrich to best effect. He was known for his use of light and shadow, such as the effect of light passing through a veil or slatted window blinds (as for example in Shanghai Express). This, combined with the meticulous attention to set design and costume design, elevates the films they created together to the ranks of cinema’s most visually stylishness and singer. Her career spanned the years 1910 to 1980.Dietrich was a stage and silent film performer in 1920s Berlin. Her portrayal of Lola-Lola in Josef von Sternberg’s The Blue Angel (1930) earned her international acclaim and a contract with Paramount Pictures.
